THESE COASTLINES GIVE ME SOMETHING I CAN'T FIND ANYWHERE ELSE...
Some may find it strange that we run to the ocean to breathe because it can feel like we are drowning on land. But not you and I.
Not those of us whose thoughts expand the moment our eyes meet the water. Not those of us who come to the same stretch of coastline religiously because its familiar tides and rhythms finally settle something inside of us — something that our always-on-the-go life throws out of balance a little too often for our own taste.
You and I get it.
Our HØMECOAST is our anchor — a place of presence, belonging, and stillness. Today, that’s the only place I photograph. But I didn’t use to. You see… The moment I fully embraced my own Blue Mind, I finally began to see clearer.

I learned to walk near a sea that’s 5000 miles away — in Hamburg, a German port town known as the “Gate to the World”. Back then, proximity to water was both a steadying presence and the adolescent allure to explore what lies beyond the horizon. Until, after school, the whims of the latter took over, and I followed them halfway across the world, moving to Colorado’s Rocky Mountains.
Ironically, it was there, landlocked, that I first discovered my voice as an artist. The camera became the tool that translated the foreign into the familiar. Across towering peaks and wide open spaces, I learned to appreciate the landscape as a silent retreat that rewarded talking less. On those Western trails, the quiet introvert in me finally experienced the comfort that not knowing what to say was no longer a character flaw but an expression of affiliation and admiration. I felt calm, understood, relieved, sheltered — the complete opposite of how I experience much of the deafening noise of our everyday life.
That feeling became the foundation for each of my photographs. And it became the foundation for taking the way I saw the world and turning it into a thriving art business — including collectors around the globe, a Master Fine Art Photographer distinction, and exhibitions everywhere from London to Times Square to, eventually, my own gallery in West Seattle.
But all along, my foray into the art of nature-inspired photography was also somewhat of a creative rumspringa. One day, I’d photograph fall colors. The next day, I’d point my camera at a mountain, then at the ocean, then at a lakeshore. You get the idea.
I felt myself getting pulled in a lot of different directions — the same way we all do in our careers, in our daily lives, in our own minds. The more I did this, the more I felt the desire for a steadying presence, an anchor, in my creative work. No more trying to do it all. And so, over the next six months, I worked to sharpen my vision, to see clearer by looking left and right a little less and ignoring the allures that lurked there. Instead, I began to focus on what was right in front of me all along.
The place I ended up was, probably not surprisingly in hindsight, the HØMECOAST. Returning to the water, in a creative sense, was coming back to myself. It was an act of honoring the parts that always felt truest to me, and honoring the place I come to find comfort — whether I have a camera strapped around my neck or not. The place where we think what my favorite poet Mary Oliver so beautifully calls long-limbed thoughts: The water’s edge.
And so, today, my photographic art is less about scratching the wanderlust itch and more about the comforting feeling of returning.
Now, my immersive images, made primarily along the edges of the Pacific Northwest and the coasts of California and Hawaii, focus on the presence, belonging, and stillness we find at our shore, our HØMECOAST. Each of them is less a literal representation of a place, and more the expression of the mind at peace we experience there.
From expansive horizons to intimate glimpses of sunlit water, my coastal fine art photographs embrace an intentional simplicity, distilling the magnetic pull of the coast into glimmering light, flowing textures, and soothing colors, honoring what has always been my North Star: To create art for calm spaces in a chaotic world.
Produced with my signature Window Effect finish, each of these large-format limited edition works is made for always-on-the-go homeowners whose modern organic interiors need an anchor — a place where your eye can settle when you walk into the room, a quiet and calm contrast to the constant movement of your busy day.
This is art that invites you to look both outward and inward — the way you do at your HØMECOAST.
SELECT AWARDS
Master Fine Art Photographer Degree from Master Photographers International
2024 & 2025 & 2026 Voted BEST IN THE NORTHWEST in The Seattle Times
2023-2026 Best U.S. Fine Art Photographer by LuxLife Magazine
2024 North America Business Awards: Best Photo Art Gallery - West Coast
2022-2025 U.S. West Coast Nature Photographer of the Year
Gold & Silver Award, 2022 London Photography Awards
Gold & Silver Award, 2021 New York Photography Awards
Gold, Silver & Bronze Award, Master Photographers' International
Official Selection, 2021 Tokyo International Photography Awards
Silver Award, 2020 San Francisco Int’l Photo Awards
Bronze Award, 2021 Tokyo International Photography Awards
Bronze Award, 2021 Epson Int'l Pano Awards
Nominee, 2020 & 2021 Fine Art Photography Awards
Honorable Mention, 2020 & 2021 Int’l Photography Awards
Honorable Mention, 2020 Moscow Int’l Foto Awards
Honorable Mention, 2020 & 2021 Vienna Int’l Foto Award
SELECT EXHIBITIONS
Times Square, NYC — with Plogix Gallery
Las Lagunas Gallery, Laguna Beach, CA
Marin Society of Artists, San Rafael, CA
D’art Gallery, Denver, CO
Plymouth Center for the Arts, Plymouth, MA
Ann Arbor Art Center, Ann Arbor, MI
Black Box Gallery, Portland, OR
Dallas Metro Arts Contemporary, Plano, TX
Photo Place Gallery, Middlebury, VT
Lik Gallery, ViePhoto, Vienna, Austria
Blank Wall Gallery, Athens, Greece
PH21 Gallery, Budapest, Hungary
PH21 Gallery, Rome, Italy
Bargehouse Gallery, London, UK
Glasgow Gallery of Photography, Glasgow, Scotland
PUBLISHED IN TV, ONLINE & PRINT
The New York Times
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USA TODAY
The Seattle Times
Seattle Refined / KOMO News
Rent.com
Redfin Blog
Kauai Magazine
Outdoor Photographer Magazine
Landscape Photography Magazine
Fine Eye Magazine
University of Colorado Alumni Magazine